Marshall works his contacts at Granite Peak to find out what he can about the INDIGO Program and a certain Charley Helix.

After a romantic evening at the San Jose Airport Hilton, Mitch divines Mary-Lynn’s future.

Mitch dreams about a conversation with one of his least-favorite people.

Marshall has Viv up to the Mission for a candid talk about her new role in URIEL.

Mitch has a date with a lounge singer. But seriously, tip your waitress.

"It's a working, a bringing into the world something that wasn't there before. They’re trying to turn Charley into something more than human. Or less.”

Charley and Mitch have a heart-to-heart over some late-night French fries • Charley tells Mitch about the Ghost of Harry Houdini • Charley comes clean about her fears • URIEL rallies around their Indigo Child • Roger proposes to build a Rooster House

Having learned that the chip in her head is nearly full, Charley attempts to make a daring escape but, coincidentally, bumps into Mitch.

Marshall begins his exploration into the world of oneiromancy with a dream about one of URIEL’s most suspicious members.

Viv hits the stacks to learn about the Opposition and wraps up her first day in the office by chatting about Irruptors with URIEL’s resident Irruptor expert, Mitch Hort.

"Now, ma petite écolière, what have you to fear? I am here. Tell Papa."

Archie wonders about URIEL’s relationship with SANDMAN writ large, and finds himself in an impromptu meeting with Marshall and Mitch.

Jocasta tries reaching further out, away from Charley's poor unconscious body on the operating table. Who's working these fucking robots?

“Anyway, I'm on lunch break and I get one of those old premonitions. 'Don't you feel like a Big Mac, Mary-Lynn?' That little voice, y'know?”

Roger wakes to find himself at home, with only dim memories of what he — or was it him? — did the night before.